- 23 May 2015
Results of the III International competition of young opera singers and directors named after P. I. Slovtsov
The results of the III International competition of young opera singers and directors named after P. I. Slovtsov are summed up.
- 21 May 2015
The results of the II round among vocalists are summed up
The second selection round of the III International competition of young opera singers and directors named after P. I. Slovtsov came to the end. 42 vocalists took part in it. On the judgement of jury young singers submitted arias from operas and romances.
- 19 May 2015
Star of the Czech opera on the Krasnoyarsk scene
On the scene of the Krasnoyarsk state opera and ballet theatre will act one of the best opera singers of the Czech Republic, the soloist of the Prague state opera Philip Bandzhak. On May 23 he will take part in the Gala concert devoted to the closing of the III International competition of young opera singers and directors named after Pyotr Slovtsov.
- 19 May 2015
Started the first competitive day
Today in Krasnoyarsk opera and ballet theatre started the second round of the III International competition of young singers and directors of P. I. Slovtsov. Listenings of vocalists will take place two days: On May 19 – romances, works of classical opera repertoire and modern composers of the XX-XXI century will execute girls, and on May 20 the jury will be addressed by men.
- 16 May 2015
Competition named after Slovtsov on-line
From May 17 to May 23 in the Krasnoyarsk opera and ballet theatre will pass the III International competition of young opera singers and directors named after P. I. Slovtsov. In its program competitive performances of vocalists, show of the opera "Queen of spades" of Pyotr Tchaikovsky and Gala concert of soloists of the opera and ballet theatre, winners and guests of competition.
- 14 May 2015
Genius and Villainy
On May 5 and 16 on a scene of the Krasnoyarsk opera and ballet theatre one of the most discussed statements of this season – the opera "Amadeus" which surprised the audience with the eccentricity and the solution of the key moments of statement, unusual to classical theatre.
